{"id":25710,"date":"2020-10-23T08:47:12","date_gmt":"2020-10-23T15:47:12","guid":{"rendered":"https:\/\/www.drumeo.com\/beat\/?p=25710"},"modified":"2024-07-10T14:00:43","modified_gmt":"2024-07-10T21:00:43","slug":"the-beginners-guide-to-recording-drums","status":"publish","type":"post","link":"https:\/\/www.drumeo.com\/beat\/the-beginners-guide-to-recording-drums\/","title":{"rendered":"How To Record Drums (For Beginners)"},"content":{"rendered":"\n<p>Want to record your drums at home? Know little to nothing about recording but you\u2019ve decided to not let it intimidate you anymore? This beginner\u2019s guide will cover a few of the basic things you\u2019ll need to get started, like how to set up your space and choose the right gear, mics, hardware, and software.<br><br>We\u2019ll also go over how to work within a session, play the right way, and edit your recordings so you can crank out killer drum tracks.<\/p>\n\n\n\n<div class=\"wp-block-rank-math-toc-block drumeo-toc\" id=\"rank-math-toc\"><h2>Table of Contents<\/h2><nav><ul><li><a href=\"#set-up-your-space\">Set up your space<\/a><\/li><li><a href=\"#prepare-your-drums\">Prepare your drums<\/a><\/li><li><a href=\"#set-up-your-microphones\">Set up your microphones<\/a><ul><li><a href=\"#how-to-mic-a-bass-drum\">How to mic a bass drum<\/a><\/li><li><a href=\"#how-to-mic-a-snare-drum\">How to mic a snare drum<\/a><\/li><li><a href=\"#how-to-mic-toms\">How to mic toms<\/a><\/li><li><a href=\"#overhead-mics\">Overhead mics<\/a><\/li><li><a href=\"#how-to-mic-hi-hats\">How to mic hi-hats<\/a><\/li><li><a href=\"#headphones\">Headphones<\/a><\/li><li><a href=\"#stands-cables-and-accessories\">Stands, cables, and accessories<\/a><\/li><li><a href=\"#possible-mic-configurations\">Possible mic configurations<\/a><\/li><\/ul><\/li><li><a href=\"#connect-your-hardware\">Connect your hardware<\/a><ul><li><a href=\"#audio-interfaces\">Audio interfaces<\/a><\/li><li><a href=\"#preamps\">Preamps<\/a><\/li><\/ul><\/li><li><a href=\"#boot-up-your-software\">Boot up your software<\/a><ul><li><a href=\"#digital-audio-workstation-daw\">Digital Audio Workstation (DAW)<\/a><\/li><\/ul><\/li><li><a href=\"#prepare-your-session-file\">Prepare your session file<\/a><\/li><li><a href=\"#engineer-your-mix\">Engineer your mix<\/a><\/li><li><a href=\"#edit-your-track\">Edit your track<\/a><\/li><li><a href=\"#final-touches\">Final touches<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"set-up-your-space\">Set up your space<\/h2>\n\n\n\n<p>The first step to making awesome home recordings is a great-sounding room. Here are a couple of things to think about when you set up:<\/p>\n\n\n\n<p><strong>Studio location:<\/strong> Not sure where to start? Living rooms, bedrooms, garages, and basements can all work great if you set them up the right way. Every room sounds different, and the best way to get a good sound is to experiment. Choose a quiet, cozy space where you\u2019ll be comfortable spending lots of time. Make sure it isn\u2019t too hot or cold, has good lighting, and is clean and dry (no one wants their drums floating away if the basement floods!).<\/p>\n\n\n\n<p><strong>Big rooms vs. small rooms:<\/strong>&nbsp;If you\u2019re in a huge, open space, your drums will probably have a lot of echo (called reverb). In a smaller room, the sound will be more dead since it has less space to bounce around. If you have a choice, pick a medium-sized room and try setting up in different locations to see what sounds best.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1-1024x682.jpg\" alt=\"\" class=\"wp-image-25883\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205400\/Image-1a-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Isolate<\/strong>: Try to stay away from appliances like heaters, washer\/dryers, A\/Cs, or fridges.&nbsp; It\u2019s sometimes hard to get total quiet at home (kids, dogs, neighbors), but less noise around you means less sound bleeding into your mics.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Arrange the furniture:<\/strong> Big sofa in the corner? All good! Large furniture is perfect for absorbing a wide range of sound frequencies and making your room less boomy (aka broadband absorption). On the other hand, if it sounds like you\u2019re in a tiny phone booth, take stuff out of the room or move it away from the kit to liven things up.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Get a rug<\/strong>: It will keep your drums from sliding and reduce the ringing even more. A standard drum rug is about 5 x 6 feet, and will fit a 5-piece drum set (if your setup looks like Neil Peart\u2019s, you might need a bigger one). Ludwig makes a <a href=\"https:\/\/reverb.com\/p\/ludwig-ludrug-drum-rug?hfid=33982386\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">nice one<\/a> for about $100 (or buy it <a href=\"https:\/\/www.thomann.de\/gb\/ludwig_drum_rug.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/ludwig_drum_rug.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>), but you can also go to your local hardware store and pick up <a href=\"https:\/\/www.lowes.com\/pd\/Garland-Sparta-Tan-Indoor-Area-Rug-Common-5-x-7-Actual-60-ft-W-x-84-ft-L\/1001571324\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">an area rug <\/a>with a woven bottom or pad.\u00a0<\/p>\n\n\n\n<p><strong>Use sound treatment: <\/strong>Putting panels and foam on the walls and ceiling will improve the sound even more by cutting down on high frequencies. For a professional option, you can get these <a href=\"https:\/\/imp.i114863.net\/Lzjko\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">foam acoustic panels<\/a> for $59.99 (shop panels <a href=\"https:\/\/www.thomann.de\/gb\/search_dir.html?smcs=f3b426_1072&amp;sw=%20sound%20panels&amp;sp=solr&amp;category%5B%5D=STAKSE&amp;cme=true&amp;filter=true&amp;offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/search_dir.html?smcs=f3b426_1072&amp;sw=%20sound%20panels&amp;sp=solr&amp;category%5B%5D=STAKSE&amp;cme=true&amp;filter=true&amp;offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>).\u00a0You can also use egg crates, mattress pads, sheets, blankets, or that trippy tapestry from your college dorm, and hang them at the height of the drums. On the other hand, if the room is too dead, put wood panels on the wall to reflect the sound and add life to it. These professional <a href=\"https:\/\/www.lunchboxaudio.com\/vicoustic-wavewood-diffuser-ultra-diffusion-wall-ceiling-panel\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">diffuser panels<\/a> are pretty cool, but plain \u2018ol plywood works great too, especially if it\u2019s bent and has an irregular shape.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"876\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1-1024x876.jpg\" alt=\"\" class=\"wp-image-45214\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1-1024x876.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1-300x257.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1-768x657.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1-1536x1314.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/24134545\/Image-1b-1-1.jpg 1955w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Set up a workstation that includes:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A small table or desk for your computer and audio interface<\/li>\n\n\n\n<li>A nearby power outlet and a power strip<\/li>\n\n\n\n<li>A shelf or stool for odds and ends like a drum key, dampening rings, tape, extra wingnuts, felts, headphones, chargers, and other accessories<\/li>\n\n\n\n<li>A mouse (if you\u2019re using a laptop). It\u2019s much easier than using a trackpad with your recording software.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2-1024x682.jpg\" alt=\"\" class=\"wp-image-25885\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205407\/Image-1c-2.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Build yourself a little nest and try to keep it tidy back there. You\u2019re going to be running lots of cables from the mics to your recording setup and you\u2019ll be more comfortable playing if everything is in place.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"prepare-your-drums\">Prepare your drums<\/h2>\n\n\n\n<p>Now that you\u2019ve picked your spot, it\u2019s time to get the drums set up!<\/p>\n\n\n\n<p><strong>Gear selection: <\/strong>It\u2019s important to <a href=\"https:\/\/www.drumeo.com\/beat\/how-to-play-drums\/#Choose_drum_equipment\" target=\"_blank\" rel=\"noreferrer noopener\">choose the right drums<\/a> for the style of music you\u2019re recording. Here are a few tips:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>You can mix and match different cymbals and snares, but it\u2019s a good idea for <em>most<\/em> of your drums to be the same brand or general model to get a uniform sound.&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n\n\n\n<li>Try to pick cymbals that have different sizes and pitches so they will complement each other. For example, a <a href=\"https:\/\/www.musiciansfriend.com\/drums-percussion\/paiste-signature-precision-heavy-crash\/j07181000001000?cntry=us&amp;source=3WWRWXGP\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">heavy 16\u201d dark crash<\/a> (in <a href=\"https:\/\/www.thomann.de\/gb\/meinl_16_class_cust._dark_heavy_cr.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/meinl_16_class_cust._dark_heavy_cr.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>) goes well with a <a href=\"https:\/\/www.musiciansfriend.com\/drums-percussion\/paiste-2002-crash-cymbal\/447192000000080?rNtt=paiste%2014%22&amp;index=2\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">smaller, brighter one<\/a> (in <a href=\"https:\/\/www.thomann.de\/gb\/paiste_2002_14_crash.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/paiste_2002_14_crash.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>).<\/li>\n\n\n\n<li>Make sure the tips of your sticks are in good shape so you get a clean cymbal tone.<\/li>\n\n\n\n<li>Most of all, better gear always sounds better, so if you aren\u2019t happy with your sound, it might be time for an upgrade.<\/li>\n<\/ul>\n\n\n\n<p><strong>Put everything in place:&nbsp; <\/strong>It\u2019s important to be relaxed and comfortable so you can give your best performance. Sit at a comfortable height so the top of the snare is just above your belt, and make sure you can reach everything easily.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2-1024x682.jpg\" alt=\"\" class=\"wp-image-25886\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205409\/Image-2a--2.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>(Check out <a href=\"https:\/\/www.drumeo.com\/beat\/how-to-setup-your-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\">this video<\/a> for more tips on setting up and sitting the right way.)<\/p>\n\n\n\n<p>Also, make sure your rack toms and cymbals are angled properly and not rubbing or rattling against other parts of the kit &#8211; all of that will get picked up in your mics.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"506\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1-1024x506.jpg\" alt=\"\" class=\"wp-image-25887\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1-1024x506.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1-300x148.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1-768x380.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1-1536x760.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205412\/Image-2b-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Change those drumheads and tune up:\u00a0 <\/strong>You can have awesome, brand new drums, but they won\u2019t sound quite right on a recording if the heads are shot. Pick up a new drumhead pack from <a href=\"https:\/\/imp.i114863.net\/rA9d5\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Remo<\/a> (in <a href=\"https:\/\/www.thomann.de\/gb\/remo_pp_0922_ps_pinstripe_clear.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/remo_pp_0922_ps_pinstripe_clear.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>) for less than $100 and tune \u2018em up! Here are a few tips specifically for recording:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Once you change the heads, they will continue to stretch and settle in, so do it the day before you plan to record and play them a bit (especially the snare) to break them in.&nbsp;&nbsp;<\/li>\n\n\n\n<li>Tune up tight for R&amp;B, jazz, or pop, and try out mid and lower tensions for rock.&nbsp;&nbsp;<\/li>\n\n\n\n<li>Make sure your toms are all different pitches &#8211; the smaller sizes should be higher.&nbsp;&nbsp;<\/li>\n\n\n\n<li>You can also get a tuning aid like this <a href=\"https:\/\/imp.i114863.net\/P2eGX\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">DrumDial<\/a> for $59.95 (in <a href=\"https:\/\/www.thomann.de\/gb\/drumdial_drum_tuner.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/drumdial_drum_tuner.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>).\u00a0\u00a0<\/li>\n<\/ul>\n\n\n\n<p>We\u2019re just scratching the surface here, and you can get more tuning info <a href=\"https:\/\/www.drumeo.com\/beat\/how-to-tune-your-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\">at this link<\/a>.<\/p>\n\n\n\n<p><strong>Maintain and clean your gear:<\/strong>&nbsp;<a href=\"https:\/\/www.drumeo.com\/beat\/how-to-care-for-your-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\">Drums are like old friends that will always be there for you<\/a>. Treat them with love and care, and they\u2019ll sound great when it\u2019s time to record.&nbsp;Make sure all your hardware works. This means no rattling, missing or stripped screws, broken floor tom legs (the worst!), wobbly drum thrones, bad snare throw-offs, or squeaky pedals (try a WD-40 lubricant or Vaseline). Also, make sure the bass drum and hi-hat stand have working leg spurs to avoid sliding.<\/p>\n\n\n\n<p><strong>Dampen those extra overtones: <\/strong>Ever notice how sometimes when you hit the smallest tom, it makes the snare rattle like crazy? That\u2019s not a sound you want on your recording, so here are some techniques you can use to kill those nasty frequencies:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Use <a href=\"https:\/\/www.musiciansfriend.com\/accessories\/remo-remos-tone-control-rings-pack--12-13-14-16\/446710000000000?cntry=us&amp;source=3WWRWXGP&amp;gclid=EAIaIQobChMIgoWn0NKB6gIViLLICh3uIQMFEAQYBCABEgK8__D_BwE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">plastic dampening rings<\/a> (also available <a href=\"https:\/\/www.thomann.de\/gb\/remo_ringcontrol_14.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/remo_ringcontrol_14.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>) that sit just inside the hoop of each drum (snare\/toms)<\/li>\n\n\n\n<li>Try <a href=\"https:\/\/www.musiciansfriend.com\/accessories\/drumdots-original-drum-dampeners-4-pack\/l63333000000001?cntry=us&amp;source=3WWRWXGP&amp;gclid=EAIaIQobChMI_N2W4PHy6QIVuwiICR07lwRlEAQYBCABEgKXP_D_BwE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">silicon gels<\/a> (in <a href=\"https:\/\/www.thomann.de\/gb\/smile_moongel.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/smile_moongel.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>) or other <a href=\"http:\/\/sweetwater.sjv.io\/5gMQen\" target=\"_blank\" rel=\"noreferrer noopener\">temporary dampeners<\/a> (shop in <a href=\"https:\/\/www.thomann.de\/gb\/evans_eq_pods.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/evans_eq_pods.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">Europe<\/a>) that will control some of the ringing while maintaining the tone (snare\/toms)<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"736\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205415\/Image-2c-edited-1024x736.jpg\" alt=\"\" class=\"wp-image-25888\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205415\/Image-2c-edited-1024x736.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205415\/Image-2c-edited-300x216.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205415\/Image-2c-edited-768x552.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205415\/Image-2c-edited.jpg 1192w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Get a <a href=\"https:\/\/www.altomusic.com\/big-fat-snare-drum-the-original-big-fat-snare-drum-13-bfsd13-c01#child_index=1611\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Big Fat Snare Drum Ring<\/a> (shop <a href=\"https:\/\/www.thomann.de\/gb\/big_fat_snare_drum.html?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/big_fat_snare_drum.html?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>) to lower the pitch and fatten the tone (snare\/toms)<\/li>\n\n\n\n<li>Apply some good \u2018ol fashioned duct tape (everywhere)<\/li>\n\n\n\n<li>For the bass drum, grab a <a href=\"https:\/\/www.columbuspercussion.com\/store\/remo-individual-20-bass-ring-muffle-control.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Remo<\/a> (see <a href=\"https:\/\/www.thomann.de\/gb\/remo_24_ring_control.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/remo_24_ring_control.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>) foam muffling ring for less than $20 to get a punchier tone<\/li>\n\n\n\n<li>Put a pillow or blanket inside the bass drum. If there\u2019s no hole in your bass drum, that\u2019s ok, you\u2019ll just have fewer muffling options unless you remove the bottom head.&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>For more on this topic, check out <a href=\"https:\/\/www.drumeo.com\/beat\/pro-drum-studio-tips\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.drumeo.com\/beat\/pro-drum-studio-tips\/<\/a><strong>.<\/strong><\/p>\n\n\n\n<p>Above all else, remember that the <a href=\"https:\/\/www.drumeo.com\/beat\/aquiles-priester-its-not-the-gears-fault\/\" target=\"_blank\" rel=\"noreferrer noopener\">gear will only take you so far<\/a>. The most important part of an awesome recording is a great drummer!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"set-up-your-microphones\">Set up your microphones<\/h2>\n\n\n\n<p>Now that your drums are set up and tuned, it\u2019s time to pick some mics. There are so many different brands, styles and price options to choose from, but don\u2019t worry&nbsp; &#8211; we\u2019ve got you covered. Here\u2019s a rundown:<\/p>\n\n\n\n<p>The number of mics you can use depends on how many input channels you have on your audio interface (we\u2019ll talk more about that in the next section). It\u2019s great to be able to put a separate mic on each part of the kit since that will give you the most control over the sound. But you absolutely <em>do not <\/em>need a mic on every drum to make a great recording. The Beatles\u2019 classic album <em>A Hard Day\u2019s Night <\/em>was made using just two drum mics &#8211; one on the bass drum and one suspended over the rest of the kit. You also do not need to spend thousands of dollars on mics to get a happening drum sound (good news!).<\/p>\n\n\n\n<p><strong>The 3 main types of microphones for recording drums<\/strong><\/p>\n\n\n\n<p><strong>Dynamic<\/strong><strong>:<\/strong> Best for bass drums, snares, and toms. They isolate more sound so other things don\u2019t bleed in. They are usually the least expensive and most durable type of mic.<\/p>\n\n\n\n<p><strong>Condenser<\/strong>: Best used as overhead mics placed above the kit to capture the cymbals and overall sound. They pick up a wide range of frequencies and are more sensitive than dynamic mics.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Ribbon<\/strong>: Best used as general \u201croom\u201d mics or for the overheads. They can be the most expensive type and are highly sensitive to sound and fragile (don\u2019t drop these!). They process sound the most like the human ear.&nbsp;<\/p>\n\n\n\n<p><em>*Note: Some of these mics require something called \u201cphantom power\u201d (condensers), and some could actually be damaged by it (ribbon mics), so read the specs carefully before you plug in. Phantom power can be turned on\/off using the \u201c48V\u201d switch on your audio interface.<\/em><\/p>\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n<p><strong>Mic recommendations and uses for each part of the kit<\/strong><\/p>\n\n\n\n<p><em>*All prices in this guide are in USD and reflect retail prices for new products unless stated otherwise. These prices were last updated in 2020.<\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"mic-packs\"><strong>Mic Packs<\/strong><\/h5>\n\n\n\n<p>These will get you going with enough mics for a 5-piece drum set without breaking the bank.&nbsp;&nbsp;<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/imp.i114863.net\/E5LBe\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Audix FP7 Drum Mic Package<\/strong><\/a> (<strong>$499<\/strong>) &#8211; A quality entry-level option with 7 mics, clips, and a hard carrying case. Also available <a href=\"https:\/\/www.thomann.de\/gb\/audix_fusion_fp_7_drumset.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/audix_fusion_fp_7_drumset.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/vo5MO\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure DMK-57-52 Drum Mic Kit<\/strong><\/a><strong> <\/strong>(<strong>$399<\/strong>) &#8211; Only 4 mics, but tons of awesome value. 3 SM57s for the snare and toms, and a Beta 52 for the bass drum.\u00a0Also available <a href=\"https:\/\/www.thomann.de\/gb\/shure_dmk5752_4.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_dmk5752_4.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.musiciansfriend.com\/pro-audio\/audix-dp-quad-4-piece-drum-mic-pack?rNtt=drum%20mic%20pack&amp;index=6\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Audix DP-5 4 Mic-Pack<\/strong><\/a><strong> <\/strong>(<strong>$649) <\/strong>&#8211; Includes a bass drum mic, a snare mic, and 2 condensers for the overheads (you\u2019ll have to buy the tom mics separately). Also available <a href=\"https:\/\/www.thomann.de\/gb\/audix_dp5_drumkoffer.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/audix_dp5_drumkoffer.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/792584-REG\/Sennheiser_DRUMKIT600_Drum_Kit_600_Drum.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Sennheiser E600 Drum Mic Kit<\/strong><\/a><strong> ($999<\/strong>) &#8211; Reliable, pro-sounding, and a great value. Comes with a bass drum mic, 4 clip-ons for the snare\/toms, and 2 condenser mics for overheads. Also available <a href=\"https:\/\/www.thomann.de\/gb\/sennheiser_600_drum_set.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/sennheiser_600_drum_set.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/O6kqz\" target=\"_blank\" rel=\"noopener\">Shure PGA Drumkit 7<\/a> ($499)<\/strong> &#8211; An inexpensive, entry-level option that includes everything you\u2019ll need to get going (7 mics, 3 clips, and a hard case). Also available <a href=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<p>The packs are a good place to start, but you can usually get better quality options if you buy individually for each part of the drum set.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"how-to-mic-a-bass-drum\">How to mic a bass drum<\/h3>\n\n\n\n<p>The bass drum has a low frequency, so you\u2019ll want to use a dynamic cardioid mic that can handle those big \u201cbooms\u201d:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/imp.i114863.net\/ynaMv\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>AKG D112<\/strong><\/a><strong> ($199<\/strong>) &#8211; A great option. Also available <a href=\"https:\/\/www.thomann.de\/gb\/akg_d_112_mkii.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/M0PO3\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure Beta 52A<\/strong><\/a><strong> ($189) <\/strong>&#8211;<strong> <\/strong>Another dependable go-to. Also available <a href=\"https:\/\/www.thomann.de\/gb\/shure_beta_52.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/mDLMq\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Beyerdynamic M88 TG<\/strong><\/a><strong> ($399)<\/strong> &#8211; More $, but great sound. Also available <a href=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_m_88_2023.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/DjYoo\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Audix D6<\/strong><\/a><strong>\u00a0($199) <\/strong>&#8211; Another affordable choice. Also available <a href=\"https:\/\/www.thomann.de\/gb\/audix_d6_bassdrummikro.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<p><strong>Placement<\/strong><\/p>\n\n\n\n<p>This is very important in determining the sound you\u2019ll get. To start, place the mic on a short stand near the hole in your kick drum head (if you don\u2019t have one, just put it about 2 inches away). The closer you get to the front head, the more attack or \u201cpunch\u201d you\u2019ll hear in the sound. Try out some different positions and see what sounds the best &#8211; your ears will lead the way.&nbsp;<\/p>\n\n\n\n<p>You can also try resting the mic on the pillow inside the drum, although that sometimes can be too loud and cause a distorted sound called \u201cclipping\u201d.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"624\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1-1024x624.jpg\" alt=\"how to mic a bass drum\" class=\"wp-image-25889\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1-1024x624.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1-300x183.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1-768x468.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1-1536x936.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205416\/Image-3a-1.jpg 1762w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"how-to-mic-a-snare-drum\">How to mic a snare drum<\/h3>\n\n\n\n<p>While there are plenty of options to choose from, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/68459-REG\/Shure_SM57_LC_SM57_LC_Microphone.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure<\/strong><\/a><strong><a href=\"https:\/\/imp.i114863.net\/QRaDM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"> <\/a><\/strong><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/68459-REG\/Shure_SM57_LC_SM57_LC_Microphone.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>SM57<\/strong><\/a> (buy <a href=\"https:\/\/www.thomann.de\/gb\/shure_sm57_lc.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_sm57_lc.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>) has long been one of the most durable, affordable, and quality snare mics available. The \u201c57\u201d is the Swiss Army knife of drum recording. It costs $100, lasts forever, sounds great, and is easy to use. A great choice!<\/p>\n\n\n\n<p>Other options:&nbsp;<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/imp.i114863.net\/5XWr9\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Beyerdynamic M201TG<\/strong><\/a><strong> ($299)<\/strong> &#8211;<strong> <\/strong>Good value and quality for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_m_201_2023.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/aBbgb\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Sennheiser E904<\/strong><\/a> (<strong>$169.95) <\/strong>&#8211; Compact size, affordable. Also available <a href=\"https:\/\/www.thomann.de\/gb\/sennheiser_e_904.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/365830-REG\/Audix_I_5_i5_Dynamic_Instrument_Cardioid.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Audix i5<\/strong><\/a><strong> ($92.50) <\/strong>&#8211;<strong> <\/strong>Another entry-level option. Also available <a href=\"https:\/\/www.thomann.de\/gb\/audix_i5.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_pga_drumkit_7.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<p><strong>Placement<\/strong><\/p>\n\n\n\n<p>Putting the mic closer to the drumhead will give you more punch (smack), while moving it further away should create a fatter tone (thump). Even the smallest adjustment will <em>really <\/em>change how it sounds on your recording, so experiment and find the sweet spot.<\/p>\n\n\n\n<p>You\u2019ll need a mic stand (feed it between your crash cymbal and hi-hat stand), or try a <a href=\"https:\/\/www.altomusic.com\/on-stage-dm50-drum-rim-microphone-clip-dm50-c01#child_index=1611\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">clip-on<\/a>. Some advanced engineers put a second mic on the bottom of the snare and blend the sounds together, but if you\u2019re just starting out, one mic is perfect. Make sure to point it towards the top head and experiment to get that killer tone. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1-1024x682.jpg\" alt=\"\" class=\"wp-image-25890\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205419\/Image-3b-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"how-to-mic-toms\">How to mic toms<\/h3>\n\n\n\n<p>Tom mics often come in packs of 3 which is great for affordability. Just like the bass drum and snare drum, it\u2019s best to use dynamic mics which will help you isolate the sound. Condenser mics can work too in some cases.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.altomusic.com\/sennheiser-e604-3-pack-drum-microphones-usthreepack60-c01#child_index=1611\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Sennheiser E604<\/strong><\/a><strong> ($349\/3-pack)<\/strong> &#8211; These sound absolutely great and are easy to use.\u00a0 They also come as part of the E600 mic pack. Available also <a href=\"https:\/\/www.thomann.de\/gb\/sennheiser_e604_3pack.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/sennheiser_e604_3pack.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/O6kMz\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Sennheiser MD-421<\/strong><\/a><strong> ($298\/each) <\/strong>&#8211;<strong> <\/strong>Great sound, but they\u2019re pricier and larger, and you\u2019ll need mic stands. Available also <a href=\"https:\/\/www.thomann.de\/gb\/sennheiser_md421u4.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/sennheiser_md421u4.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/3VBvX\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure Beta 56A<\/strong><\/a><strong> ($159\/each) &#8211; <\/strong>Another affordable quality option. Available also <a href=\"https:\/\/www.thomann.de\/gb\/shure_beta_56.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_beta_56.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<p><strong>Placement<\/strong><\/p>\n\n\n\n<p>Point the mic directly at the drumhead for the best sound. Make sure it\u2019s not in your way when you play &#8211; you don\u2019t want to smack it by mistake! Just like with the snare, adjust the height and positioning to change the sound. If it sounds muddy and unclear, get closer; if it\u2019s too thin and papery, move back.&nbsp; <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1-1024x682.jpg\" alt=\"\" class=\"wp-image-25891\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205423\/Image-3c-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"overhead-mics\">Overhead mics<\/h3>\n\n\n\n<p>Place two mics on tall stands pointing down over the kit to capture a wide snapshot of everything. You don\u2019t need to mic each individual cymbal &#8211; you\u2019ll hear plenty of them in your overheads. Overheads usually come in pairs (left and right). Small diaphragm condenser mics are a good choice since they pick up more surrounding sound than dynamics and can handle high frequencies like your cymbals. Ribbon mics will work too, and they usually have a darker tone (good if your cymbals are really bright).<\/p>\n\n\n\n<p>Here are some options:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.oktava-shop.com\/Small-and-medium-diaphragm-condenser-mics\/Oktava-MK-012-01.html?language=en\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Oktava MK 012<\/strong><\/a><strong> ($270\/pair)<\/strong> &#8211; Great value for the cost, comes with clips and hard case.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/4Zz49\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Rode M5<\/strong><\/a><strong> ($199\/pair)<\/strong> &#8211;<strong> <\/strong>Hard to beat for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/rode_m5_mp.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/rode_m5_mp.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/db26M\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure KSM 137<\/strong><\/a><strong> ($665\/pair) <\/strong>&#8211;<strong> <\/strong>A solid medium-priced option. Also available <a href=\"https:\/\/www.thomann.de\/gb\/shure_ksm_137_stereoset.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/shure_ksm_137_stereoset.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/KorQn\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Neumann K184<\/strong><\/a><strong> ($799 each, $1600\/pair)<\/strong> &#8211; Pricey, but top quality. Also available <a href=\"https:\/\/www.thomann.de\/gb\/neumann_km184mt_stereoset.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/neumann_km184mt_stereoset.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1-1024x682.jpg\" alt=\"\" class=\"wp-image-25892\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205425\/Image-3d-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A condenser mic used for overhead purposes<\/figcaption><\/figure>\n\n\n\n<p><strong>Placement<\/strong><\/p>\n\n\n\n<p>Put one overhead mic above your hi-hat\/left crash cymbal and point the diaphragm (the part you would speak into) towards the snare. Do the same with the other overhead on the ride cymbal side. <strong>Grab a tape measure and adjust the distance of each mic so each tip is the exact same distance from the center of the snare<\/strong>. Start with 42 inches and move up\/down\/forward\/back if your signal is loud or quiet. Make sure you\u2019re not picking up way too much of one side of the kit or the other. It\u2019s cool if one mic is higher or lower, as long as the distance to the center of the snare is equal for both.&nbsp;<\/p>\n\n\n\n<p>This will prevent something called \u201cphasing\u201d where the sound travels further to one mic than the other, which can muddy up your recording.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e-1024x682.jpg\" alt=\"\" class=\"wp-image-25893\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205428\/Image-3e.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"how-to-mic-hi-hats\">How to mic hi-hats<\/h3>\n\n\n\n<p>Some people put a separate mic on the hi-hat, while others prefer to use the overheads and room mic to capture that sound. If you have enough inputs and want to try a hi-hat mic, use a <a href=\"https:\/\/imp.i114863.net\/QRaDM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Shure<\/strong><\/a> SM57 or any other dynamic, directional mic (as we said before, it\u2019s the Swiss Army knife of drum mics! We <em>love <\/em>the \u201c57\u201d).<\/p>\n\n\n\n<p><strong>Placement<\/strong><\/p>\n\n\n\n<p>Point the mic downwards towards your top hi-hat, about 2-3 inches away, and adjust the height if the signal is too loud or quiet.<\/p>\n\n\n\n<p><strong>Room mics<\/strong><\/p>\n\n\n\n<p>It\u2019s the secret weapon to a great drum recording! Setting up a mic on the opposite side of the room away from the kit is a great way to make the sound full and rich. Large diaphragm condenser mics and ribbon mics work great since they are very sensitive.<\/p>\n\n\n\n<p>Options include:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/imp.i114863.net\/qeQP5\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>AKG P 420 Condenser<\/strong><\/a> <strong>($199)<\/strong> &#8211; Versatile and affordable. Also available <a href=\"https:\/\/www.thomann.de\/gb\/akg_p420.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/akg_p420.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/DjY4j\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Warm Audio WA-47 JR<\/strong><\/a> <strong>($299<\/strong>) &#8211; Great value for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/warm_audio_wa_47jr.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/warm_audio_wa_47jr.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/jMNve\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Blue Bluebird<\/strong><\/a> <strong>($299)<\/strong> &#8211; Warm tone. Also available <a href=\"https:\/\/www.thomann.de\/gb\/blue_bluebird_sl.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/blue_bluebird_sl.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/reverb.com\/item\/364242-akg-c214-microphone\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">AKG C214<\/a><\/strong> <strong>($399)<\/strong> &#8211; Great value for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/akg_c214.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/akg_c214.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/5XWVj\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>AKG C-414<\/strong><\/a> <strong>($1099)<\/strong> &#8211; Excellent sound. Also available <a href=\"https:\/\/www.thomann.de\/gb\/akg_c414_xlii.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/akg_c414_xlii.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/qeQ7y\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Royer R-121 Ribbon Mic<\/strong><\/a> <strong>($1295) <\/strong>&#8211;<strong> <\/strong>Top-of-the-line quality.<\/li>\n<\/ol>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"headphones\">Headphones<\/h3>\n\n\n\n<p>You\u2019ll need a good pair to hear the music and\/or click track you\u2019re playing along with. There are two main types of headphones: open (less isolated sound) and closed (total isolation). Most drummers prefer the closed type, but it\u2019s a personal choice and it\u2019s good to try them out before you buy.<\/p>\n\n\n\n<p><em>*Note: Avoid iPhone earbuds. They won\u2019t isolate the sound or have any low-frequency response &#8211; you gotta hear that bass player!).&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p>Here are some headphone options that are perfect for drummers:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.status.co\/products\/cb1?variant=11154534343&amp;utm_medium=cpc&amp;utm_source=google&amp;utm_campaign=Google%20Shopping\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Status Audio CB-1 Closed Back<\/strong><\/a> ($55) &#8211; Good quality at an unbeatable price.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.altomusic.com\/beyerdynamic-dt-770-pro-headphones-250-ohms-repack-dt770pro250-c01#child_index=1612\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Beyerdynamic DT 770i<\/strong><\/a> ($149) &#8211; Super-comfortable fit, great sound. Also available <a href=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_dt770pro.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_dt770pro.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/Aqdb1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Sennheiser HD 280<\/a><\/strong> ($99.95) &#8211; Good if you prefer a little less isolation. Also available <a href=\"https:\/\/www.thomann.de\/gb\/sennheiser_hd_280_pro_new.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_dt770pro.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/GAxvk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Shure SRH 840<\/a><\/strong> ($149) &#8211; Sleek design, balanced sound. Also available <a href=\"https:\/\/www.thomann.de\/gb\/shure_srh840a_efs.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/beyerdynamic_dt770pro.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"stands-cables-and-accessories\">Stands, cables, and accessories<\/h3>\n\n\n\n<p>These are very under-appreciated and important. Here are a couple of things you\u2019ll need:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/924224-REG\/gator_cases_gfw_mic_0821_bass_drum_amp_tripod_microphone.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>2 short mic stands<\/strong><\/a> with <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/396497-REG\/Shure_A25DM_A25D_Mic_Stand_Adapter.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>clips<\/strong><\/a> for the bass drum and snare mics (see <a href=\"https:\/\/www.thomann.de\/gb\/millenium_ms2002.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/millenium_ms2002.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">stands<\/a> and <a href=\"https:\/\/www.thomann.de\/gb\/km_85070.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">clips<\/a> in Europe).<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/976796-REG\/auray_auray_tripod_mic_stand_fixed.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>3 tall mic stands<\/strong><\/a> for the overheads, room mic, hi-hat and toms (6 if you don\u2019t have clip-on tom mics) (also available <a href=\"https:\/\/www.thomann.de\/gb\/roadworx_mic_stand_tripod_boom.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/roadworx_mic_stand_tripod_boom.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>).<\/li>\n\n\n\n<li><a href=\"https:\/\/www.altomusic.com\/hosa-xlr-105-cable-xlr3f-xlr3m-5ft-xlr-105-c01#child_index=1611\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>XLR cables<\/strong><\/a> for each mic (the kind with the 3-pin input). Get some long and short ones &#8211; you shouldn\u2019t need a 50-footer to get from your bass drum to your recording setup. Shop <a href=\"https:\/\/www.thomann.de\/gb\/the_sssnake_sm10_bk.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/the_sssnake_sm10_bk.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.zenproaudio.com\/hotwires-velcro-cable-ties-5-pack\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Velcro cable ties<\/strong><\/a> to avoid tangles (buy <a href=\"https:\/\/www.thomann.de\/gb\/thomann_v2030.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/thomann_v2030.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>).<\/li>\n\n\n\n<li><strong>Gaff tape<\/strong> or duct tape to secure cables to the floor so you don\u2019t trip (<em>Pro Tip: Do not put on painted walls &#8211; the paint will peel right off. Sadly, we know this from experience<\/em>).\u00a0 Buy <a href=\"https:\/\/www.thomann.de\/gb\/gerband_gewebeband_258_schwarz.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/gerband_gewebeband_258_schwarz.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/405054-REG\/Pro_Co_Sound_CC_343PC_343PC_Female_Stereo_Mini.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Quarter-inch<\/strong><\/a><strong> and \u215b\u201d cable adapters <\/strong>always come in handy (available <a href=\"https:\/\/www.thomann.de\/gb\/fun_generation_ins_5.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/fun_generation_ins_5.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>, too).<\/li>\n<\/ol>\n\n\n\n<p>One bad cable can cause a mic to sound distorted, and one loose screw can make a mic stand fall and spoil a great performance. Make sure everything works and is in good condition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1-1024x683.jpg\" alt=\"xlr cables\" class=\"wp-image-25894\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1-1024x683.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205431\/Image-3f-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A variety of XLR cables<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"possible-mic-configurations\">Possible mic configurations<\/h3>\n\n\n\n<p>How many mics you use &#8211; and where you place them &#8211; depends on the style of music you\u2019re recording and how many inputs you have on your audio interface.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>If you have <strong>1 input<\/strong>, put the mic overhead to capture as much of the kit as possible (not too close; try a height of about 42 inches from the center of the snare).<\/p>\n\n\n\n<p>If you have <strong>2 inputs<\/strong>, you can mic:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Bass drum and use one overhead mic (most common), or&#8230;<\/li>\n\n\n\n<li>Bass drum and snare (less common, and best for R&amp;B and styles where you\u2019ll be mostly using kick\/snare\/hi-hat and less cymbals), or&#8230;<\/li>\n\n\n\n<li>Snare and 1 room mic (for certain types of jazz and styles with less bass drum), or&#8230;<\/li>\n\n\n\n<li>Use <em>The Recorderman Technique, <\/em>which means putting up 2 overheads at a close distance (remember to measure to avoid phasing).<\/li>\n<\/ol>\n\n\n\n<p>If you have <strong>4 inputs, <\/strong>mic the bass drum and snare and use 2 overheads.<\/p>\n\n\n\n<p>If you have <strong>6 inputs<\/strong>, you can mic:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Bass drum, snare, 2 overheads, floor tom, 1 room mic, or&#8230;<\/li>\n\n\n\n<li>Bass drum, snare, 2 overheads, floor tom and 1 rack tom. This works for 4-piece kits. If you have more toms but not enough inputs, avoid putting a mic on one rack tom and not the other.<\/li>\n<\/ol>\n\n\n\n<p>If you have <strong>8 inputs: <\/strong>bass drum, snare, 2 overheads, 3 toms, 1 room mic.<\/p>\n\n\n\n<p>If you have <strong>more than 8 inputs: <\/strong>&nbsp;bass drum, snare, hi-hat, 2 overheads, 3 or more toms, 1 room mic.<\/p>\n\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"connect-your-hardware\">Connect your hardware<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"audio-interfaces\">Audio interfaces<\/h3>\n\n\n\n<p>Think of your interface as the translator that interprets the sound from the mics so your computer software can understand and record it. It\u2019s like the giant brain of the whole operation. Most connect to your computer via USB or Firewire, and it\u2019s important to choose one that has enough XLR inputs for each mic. Every interface has its own unique sound, and here are some options:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/imp.i114863.net\/0kgeV\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Focusrite Scarlett 18i20<\/a><\/strong> (<strong>8 XLR inputs, $549)<\/strong> &#8211; Sounds great, top-rated, easy to use. Also available <a href=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_18i20_3rd_gen.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_18i20_3rd_gen.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/n9q77\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Behringer Uphoria UMC 1820<\/a><\/strong> (<strong>8 XLR inputs, $249)<\/strong> &#8211; good value for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/behringer_umc1820.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/behringer_umc1820.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/6B0Jr\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Roland Octa Capture<\/a><\/strong> <strong>(8 XLR inputs, $518 USD)<\/strong> &#8211; A little more expensive, but good quality. Also available <a href=\"https:\/\/www.thomann.de\/gb\/roland_ua1010_octacapture.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/2GoAO\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Tascam US 16&#215;08<\/strong><\/a> <strong>(8 XLR inputs, $299 USD) &#8211; <\/strong>Good value for the price. Also available <a href=\"https:\/\/www.thomann.de\/gb\/tascam_us_16x08.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/tascam_us_16x08.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/3VBGB\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Focusrite Scarlett 18i8<\/strong> <\/a>(<strong>4 XLR inputs, $419)<\/strong> &#8211; Fewer inputs, but good quality. Also available <a href=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_18i8_3rd_gen.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_18i8_3rd_gen.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/4Zz1Z\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Focusrite Scarlett 2i2<\/strong><\/a> <strong>(2 XLR inputs, $169.99) <\/strong>&#8211; Budget option, good to get started. Also available <a href=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_2i2_4th_generation.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_2i2_4th_generation.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/imp.i114863.net\/Nn5ZK\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Motu M2 <\/a>(2 XLR inputs, $179.95) <\/strong>&#8211; Another entry-level choice. Also available <a href=\"https:\/\/www.thomann.de\/gb\/motu_m2.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/motu_m2.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<p>One other thing to consider is that cheaper, lower-quality interfaces sometimes don\u2019t perform as well. They can create a lag called \u201clatency\u201d, or make unwanted humming or hissing sounds.&nbsp; Better gear is less likely to do that, so take that into consideration when you buy.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a-1024x682.jpg\" alt=\"recording interfaces\" class=\"wp-image-25895\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a-1024x682.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a-1536x1024.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205433\/Image-4a.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Different recording interfaces<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"preamps\">Preamps<\/h3>\n\n\n\n<p>A preamplifier boosts the level of the signal that comes through your mics. You might think, <em>why do I need this? I can just turn it up myself if it\u2019s too quiet!<\/em> Good preamps make everything sound clearer and less distorted. It\u2019s like a quick power-wash and diesel fuel-up before the sound gets to your software.<\/p>\n\n\n\n<p>Most interfaces have them built-in, and they all sound a little different. Those are good to start out, but if you get excited and want to upgrade, you can spring for an external preamp to use along with your audio interface.&nbsp;<\/p>\n\n\n\n<p>Here are a couple of options that are good for drums (<em>Note: we\u2019re just scratching the surface &#8211; engineers will nerd out on this topic all day if you let them<\/em>):<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><a href=\"https:\/\/imp.i114863.net\/Jg9EE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Focusrite Scarlett OctoPre MKll<\/strong><\/a> ($439.99) &#8211; 8 inputs, good value for the price. Buy <a href=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_octopre.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/focusrite_scarlett_octopre.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/reverb.com\/ca\/p\/presonus-digimax-d8\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Presonus Dig-Max D8<\/a> <\/strong>($260 used) &#8211; 8 inputs, versatile and cost-effective.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/677503-REG\/ART_TUBEOPTO8_TubeOpto_8_8_Channel_Tube.html\/?ap=y&amp;ap=y&amp;smp=y&amp;smp=y&amp;lsft=BI%3A514&amp;gclid=EAIaIQobChMI8oizkur36QIVCY3ICh2s_AAYEAQYAiABEgL71fD_BwE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Art Tube OCTO8<\/strong><\/a> ($489) &#8211; 8 inputs, solid choice.<\/li>\n\n\n\n<li><a href=\"https:\/\/imp.i114863.net\/ojxEm\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Warm Audio WA-412<\/strong> <\/a>($1199) &#8211; 4 inputs, higher quality. Shop <a href=\"https:\/\/www.thomann.de\/gb\/warm_audio_wa_412.htm?offid=1&amp;affid=882\" data-type=\"link\" data-id=\"https:\/\/www.thomann.de\/gb\/warm_audio_wa_412.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noopener\">in Europe<\/a>.<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"boot-up-your-software\">Boot up your software<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"digital-audio-workstation-daw\">Digital Audio Workstation (DAW)<\/h3>\n\n\n\n<p>This is the computer program you\u2019ll use to record and manipulate the sound. There are <em>so <\/em>many choices! Some are perfect for beginners, while others have more features. We won\u2019t go over all of them, but here are a few popular ones at different prices to get you going:<\/p>\n\n\n\n<p><strong><em>GarageBand&nbsp;<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"408\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-1024x408.png\" alt=\"garageband\" class=\"wp-image-25896\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-1024x408.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-300x119.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-768x306.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-1536x611.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205436\/Image-5a-1-2048x815.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Pros<\/strong>:&nbsp;&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Comes pre-installed on any MAC (there\u2019s a PC version too)<\/li>\n\n\n\n<li>It\u2019s free<\/li>\n\n\n\n<li>Easy to learn and use<\/li>\n\n\n\n<li>Takes up less processing power than other DAWs<\/li>\n<\/ul>\n\n\n\n<p><strong>Cons<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Limited features for grouping tracks, fixing mistakes, adding effects, changing the tempo<\/li>\n\n\n\n<li>No separate mixer window<\/li>\n\n\n\n<li>Maximum of 8 tracks<\/li>\n<\/ul>\n\n\n\n<p><strong><em>Pro Tools<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"556\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205440\/Image-5b-1-1024x556.png\" alt=\"pro tools\" class=\"wp-image-25897\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205440\/Image-5b-1-1024x556.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205440\/Image-5b-1-300x163.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205440\/Image-5b-1-768x417.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205440\/Image-5b-1.png 1266w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Pros<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Basic features are easy to use&nbsp;<\/li>\n\n\n\n<li>Many functions for editing\/replacing sections (called \u201cpunching\u201d), adding effects, changing tempos<\/li>\n\n\n\n<li>Multiple file-type choices and options for exporting&nbsp;<\/li>\n\n\n\n<li>Longtime industry-standard for many professional recording studios<\/li>\n<\/ul>\n\n\n\n<p><strong>Cons<\/strong><strong>:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Free trial version offers limited features (you can only work on 3 projects at a time, and the options for saving and exporting them are restricted)<\/li>\n\n\n\n<li>Cost ($29.99 monthly subscription or $299\/year)&nbsp;<\/li>\n\n\n\n<li>Requires more processing power (if you have an old computer, this can be a problem)<\/li>\n<\/ul>\n\n\n\n<p><strong><em>Reaper<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"560\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-1024x560.jpg\" alt=\"reaper daw software\" class=\"wp-image-25898\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-1024x560.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-300x164.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-768x420.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-1536x841.jpg 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205442\/Image-5c-1-2048x1121.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Pros:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Reasonable price ($60 personal use\/$225 commercial use)<strong>&nbsp;<\/strong><\/li>\n\n\n\n<li>Stable platform&nbsp;<\/li>\n\n\n\n<li>Offers good features and flexibility for the cost<\/li>\n<\/ul>\n\n\n\n<p><strong>Cons:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Layout is a little clunky and dated<\/li>\n\n\n\n<li>Takes longer to learn&nbsp;<\/li>\n\n\n\n<li>Not as many built-in effects and extras<\/li>\n<\/ul>\n\n\n\n<p><strong>Others<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Audacity<\/strong>:&nbsp;Free, but with many of the same limitations as GarageBand<\/li>\n\n\n\n<li><strong>Logic Pro<\/strong>: Another popular favorite for pros, it has similar features to Pro Tools<\/li>\n\n\n\n<li><strong>Ableton Live: <\/strong>Great for advanced users<\/li>\n\n\n\n<li><strong>Cubase: <\/strong>A popular choice for producers who use MIDI instruments<\/li>\n<\/ol>\n\n\n\n<p><strong>How to choose a DAW<\/strong><\/p>\n\n\n\n<p>If you\u2019re just starting out, try working with one of the free programs like GarageBand or Audacity. As you get more comfortable with recording, you can upgrade to Pro Tools, Reaper or Logic Pro for more features. Most have a free trial option so you can check them out before you buy.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"prepare-your-session-file\">Prepare your session file<\/h2>\n\n\n\n<p>We\u2019ve reached the fun part! It\u2019s time to connect your drum mics to the interface, create a new session file, and start recording. This computer stuff can seem intimidating at first, but once you figure it out, you\u2019ll be good to go.&nbsp;<\/p>\n\n\n\n<p>Each DAW has slight differences, but here are some basic steps.&nbsp;<\/p>\n\n\n\n<p><em>(Note: Images are from Pro Tools):<\/em><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Open your DAW and create a new session<\/strong>. You\u2019ll need to choose the sample rate of your session (how fast the sound is recorded). 44.1kHz is a perfect place to start &#8211; that\u2019s the rate of most CDs and mp3s. Lower sample rates take up less storage, while higher ones offer more detail.<\/li>\n<\/ol>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"279\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205447\/Image-6a-1.png\" alt=\"\" class=\"wp-image-25899\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205447\/Image-6a-1.png 478w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205447\/Image-6a-1-300x175.png 300w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><\/figure><\/div>\n\n\n<ol class=\"wp-block-list\" start=\"2\">\n<li><strong>Create a new audio track<\/strong> for each mic you plan to use and be sure to label what each one is. Having a separate track for each mic will make it easier to isolate and work with the sound later on.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"281\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205448\/Image-6b-1-1024x281.png\" alt=\"\" class=\"wp-image-25900\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205448\/Image-6b-1-1024x281.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205448\/Image-6b-1-300x82.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205448\/Image-6b-1-768x210.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205448\/Image-6b-1.png 1190w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"480\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205449\/Image-6c-1-1024x480.png\" alt=\"\" class=\"wp-image-25901\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205449\/Image-6c-1-1024x480.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205449\/Image-6c-1-300x141.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205449\/Image-6c-1-768x360.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205449\/Image-6c-1.png 1193w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<ol class=\"wp-block-list\" start=\"3\">\n<li><strong>Take an XLR cable (the one with 3 pins) and connect each mic<\/strong> to a different channel on your interface. Grab a sheet of paper (yes, actual paper &#8211;&nbsp;very retro, but good if your computer crashes). Write down which mic goes to each track number so you can route all the signals to the right place in your DAW (called \u201cbusing\u201d).<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"4\">\n<li><strong>Route the signal using the input\/output buttons (i\/o). <\/strong>Set the <strong>input<\/strong> of each track to the correct number in your DAW. For example, if the bass drum mic is plugged into channel 1, set the input to \u201c1\u201d. The <strong>output<\/strong> should be set so you can hear the audio in your headphones (usually Stereo 1-2, which are your left and right speakers).&nbsp;<\/li>\n<\/ol>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"211\" height=\"511\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205451\/Image-6d-1.png\" alt=\"\" class=\"wp-image-25902\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205451\/Image-6d-1.png 211w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205451\/Image-6d-1-124x300.png 124w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/figure><\/div>\n\n\n<ol class=\"wp-block-list\" start=\"5\">\n<li><strong>Create a click track:<\/strong>&nbsp;It will help you keep a consistent tempo and make it easier to manipulate your recording afterwards.&nbsp;You can edit and fix sections, or replace and add whole parts of a song more easily since everything will be lined up on a tempo grid (we\u2019ll get to that later).&nbsp;Most DAWs have easy click functions so you can set any tempo and time signature you want.<br><\/li>\n\n\n\n<li><strong>Record-enable and test <\/strong>everything by using the red \u201crecord\u201d buttons next to each track.&nbsp; Don\u2019t press the main record button to capture the sound quite yet &#8211; you\u2019ll want to check your levels first. Tap on each mic to make sure everything is routed correctly, and then hit each drum and see how loud the signal is. If the indicator line hits the red at the top, turn the volume knob on that channel down to avoid distortion or clipping. If the indicator goes about two-thirds of the way up, that\u2019s perfect, and each track will need its own adjustments.<br><br>Many interfaces have a \u201cpad\u201d button on each track you can use to tamp down the level even more if it\u2019s too hot. You can also adjust the position of your mics to make sure the signal level and tone of each drum is perfect.<\/li>\n<\/ol>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"207\" height=\"318\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205452\/Image-6e-1.png\" alt=\"\" class=\"wp-image-25903\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205452\/Image-6e-1.png 207w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205452\/Image-6e-1-195x300.png 195w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><figcaption class=\"wp-element-caption\">Good level<\/figcaption><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"315\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205453\/Image-6f-1.png\" alt=\"\" class=\"wp-image-25904\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205453\/Image-6f-1.png 212w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205453\/Image-6f-1-202x300.png 202w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><figcaption class=\"wp-element-caption\">Bad level (clipping)<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<ol class=\"wp-block-list\" start=\"6\">\n<li><strong>Hit Record, rock out and test everything. <\/strong>Listen to the sound of each mic alone by muting all the others. Then, put it all together to get your killer drum sound dialed in.<\/li>\n\n\n\n<li><strong>Record your track!<\/strong><\/li>\n<\/ol>\n\n\n\n<p>The most important thing to remember when you record is to play a steady groove, keep great time, and enjoy the process. Here are some tips:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dial in your headphones<\/strong> so you can hear exactly the right mix of everything. <a href=\"https:\/\/www.drumeo.com\/beat\/pro-drum-studio-tips-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Check out this article for more details<\/a>.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Play along with a reference track (called a \u201cscratch\u201d track)<\/strong>. This will give you some music to listen to and vibe with while you play, but it won\u2019t be part of your final recording. It\u2019s like a practice track. You can have other musicians record bits of a song on guitar, bass or other instruments, or just use an mp3 of your favorite tune.<br><br>A scratch track will help you stay with the form, tempo, and dynamics of the song. If you\u2019re using a click, it\u2019s important that your scratch track be recorded at the same tempo. Use the \u201cimport audio\u201d function in your DAW to add this track to your session. &nbsp; Recording with a scratch track also means that your bandmates won\u2019t have to be in the room with you while you record and you\u2019ll be able to isolate the sound without things bleeding into your mics.&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>It\u2019s great to be able to <a href=\"https:\/\/www.drumeo.com\/beat\/larnell-lewis-learns-a-song-by-ear\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>learn a song quickly by ear<\/strong><\/a><strong> <\/strong><em>(Larnell Lewis\u2026whoa!<\/em>).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.drumeo.com\/beat\/pro-drum-studio-tips-3\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Create a road map<\/strong><\/a><strong> <\/strong>to learn your parts quickly and easily and play consistent parts with good dynamics.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"engineer-your-mix\">Engineer your mix<\/h2>\n\n\n\n<p>Recording at home means you\u2019ll be wearing two hats: drummer and engineer. You don\u2019t have to learn every detail right away to make a successful recording, but knowing your way around your DAW will make things a lot easier.&nbsp;<\/p>\n\n\n\n<p><strong>Organize and label your tracks<\/strong>: Otherwise, it\u2019s easy to get confused about what is what.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Use hotkeys and shortcuts <\/strong>to make things <em>way<\/em> faster (each DAW has different ones; for example, you can use <em>Command-S<\/em> (Ctrl+S on a PC) in Pro Tools to save, and <em>Command-Z<\/em> (Ctrl+Z) to undo).<\/p>\n\n\n\n<p><strong>Save everything frequently<\/strong><em>: <\/em>Sometimes, bad things happen to good people; aka, sometimes the computer crashes. Also, make sure all other programs are closed since your DAW takes up a lot of processing power.<\/p>\n\n\n\n<p><strong>Keep checking your mic levels<\/strong>: This is especially important for us drummers. Let\u2019s say you record one super-loud tune and the next one is quieter. You might have to adjust the positioning of a mic or nudge some volume knobs to keep from clipping, or you might have to boost the signal.<\/p>\n\n\n\n<p><strong>Use the playlist function&nbsp;<\/strong>(if your DAW has it) to keep your session tidy and organized.&nbsp;Playlisting is great when you record multiple takes of the same song, and want to keep more than one version and decide what to use later. For example, maybe you liked take two the best overall, but want to paste in a fill from the end of the first chorus of take one.&nbsp;Playlists allow you to neatly meld different takes together without making a mess of your session by creating a million new tracks and moving everything around manually.&nbsp;<em>(Note: this only works if you use a click track and everything is aligned to the grid)<\/em><br><br><strong>Creating groups<\/strong>&nbsp;is an easy way to edit multiple tracks at once.&nbsp;For example, if the overhead mics are too loud, you can tweak the level of both the Left and Right together if they are in a group.&nbsp;It\u2019s also helpful to have one group that includes the whole kit in case you want to make an edit.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"229\" height=\"444\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205345\/Image-8c-1.png\" alt=\"\" class=\"wp-image-25867\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205345\/Image-8c-1.png 229w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205345\/Image-8c-1-155x300.png 155w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"133\" height=\"273\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205346\/Image-8d-1.png\" alt=\"\" class=\"wp-image-25868\" title=\"\"><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<p><strong>Check your disk allocation <\/strong>to see where your tracks are being saved. It\u2019s a good idea to use an external hard drive that\u2019s just for recording &#8211; a full hard drive often means a slower computer.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"274\" height=\"327\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205346\/Image-8e-1.png\" alt=\"\" class=\"wp-image-25869\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205346\/Image-8e-1.png 274w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205346\/Image-8e-1-251x300.png 251w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"434\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205347\/Image-8f-1.png\" alt=\"\" class=\"wp-image-25870\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205347\/Image-8f-1.png 557w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205347\/Image-8f-1-300x234.png 300w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<p><strong>Adjust your buffer size: <\/strong>This is literally the tiny amount of time it takes for the audio to be captured. Sometimes you can experience a lag or \u201clatency\u201d when you record, and increasing your buffer size can make that go away. You\u2019ll probably want to lower it again when you\u2019re editing later since a higher buffer size can strain your computer\u2019s processing power. In most DAWs it\u2019ll be listed under \u201cPlayback Engine\u201d.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"281\" height=\"312\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205348\/Image-8g-1.png\" alt=\"\" class=\"wp-image-25871\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205348\/Image-8g-1.png 281w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205348\/Image-8g-1-270x300.png 270w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"603\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205349\/Image-8h-1.png\" alt=\"\" class=\"wp-image-25872\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205349\/Image-8h-1.png 550w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205349\/Image-8h-1-274x300.png 274w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<p><strong>Don\u2019t forget to record-enable each track. <\/strong>It would be a bummer if you played a killer take and then realized it didn\u2019t actually record (ooof!).<br><\/p>\n\n\n\n<p><strong>Save frequently<\/strong> (can\u2019t stress this enough).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"edit-your-track\">Edit your track<\/h2>\n\n\n\n<p>Let\u2019s say you just recorded a great track, but made one mistake at the end that\u2019s driving you nuts. Maybe it\u2019s a fill you wish you didn\u2019t do, or a few bars where you got off the click track. You\u2019re screwed\u2026or maybe not! Learning some basic editing skills in your DAW can help you fix these things so you don\u2019t have to record a whole new take.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Punch in: <\/strong>This is when you re-record a small section of a tune to fix a mistake. A punch can be as short or long as you want, and in Pro Tools and other professional DAWs, you can use this function by positioning the start and end arrows around the bit you want to record. Give yourself a little extra space on either end of the punch since you can always use the edit\/crop tool to get it just right later on.<br><br>(<em>Pro Tip<\/em>: Make sure to punch using all of your mics. If you try to replace just one part of the drum set, it might not blend with the rest of the track since your overheads pick up sound from everywhere.)<br><br>In GarageBand, you\u2019ll use Cycle Record. This is one area where the pro DAWs really have more features to make this work.&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\" start=\"2\">\n<li><strong>Add a cross-fade:<\/strong> This is when you blend the little part you re-did with the rest of the track so you can\u2019t hear the spot where you made the edit. If you don\u2019t add a cross-fade, there could be a clicking sound where the two bits of audio join.<br><br>In Pro Tools, select the edit range and press Command-F. In GarageBand, you\u2019ll have to fade out the original take, create a new track, and fade in the new part. <\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"439\" height=\"412\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205350\/Image-9b-1.png\" alt=\"\" class=\"wp-image-25874\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205350\/Image-9b-1.png 439w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205350\/Image-9b-1-300x282.png 300w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"508\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205351\/Image-9c-1.png\" alt=\"\" class=\"wp-image-25875\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205351\/Image-9c-1.png 461w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205351\/Image-9c-1-272x300.png 272w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<ul class=\"wp-block-list\" start=\"3\">\n<li><strong>Cut\/paste:<\/strong> Let\u2019s say you had one bad snare hit where you missed the drum or clicked your sticks together. One of the best things about using a DAW is that you can grab another snare hit from somewhere else and just paste it in place.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\" start=\"4\">\n<li><strong>Replace whole sections: <\/strong>This only works if you\u2019re using a click track since things won\u2019t line up otherwise. Let\u2019s say you loved how you played the second verse of your song and want it to match the first. Use the select tool to cut\/paste the whole verse and then add your cross-fades. Studio magic at work!<br><\/li>\n\n\n\n<li><strong>Nudge it: <\/strong>Let\u2019s say you were a little early or late playing a hit. Separate that region (<em>Command-E<\/em> in Pro Tools) and use the smart tool and your ears to slide it into the right place. Again, make sure to select the whole kit since all the mics bleed into each other a little bit.<br><\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"226\" height=\"108\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205352\/Image-9d-1.png\" alt=\"\" class=\"wp-image-25876\" title=\"\"><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"510\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-9e-1.png\" alt=\"\" class=\"wp-image-25877\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-9e-1.png 581w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-9e-1-300x263.png 300w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<p>These basic editing functions are just scratching the surface of what your DAW can do. There are a ton of mixing tools you can use to make your tracks even better like adding EQ, compression, and other effects. But knowing how to do basic edits along the way is really helpful.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"final-touches\">Final touches<\/h2>\n\n\n\n<p>You\u2019re done! You made a killer drum track and you\u2019re ready to share it with your bandmates, friends, and of course, <em>The Internet<\/em>. Here are some tips for finishing off the recording process and exporting your files.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Save everything<\/em><\/strong><em> (<\/em>again).<br><br><\/li>\n\n\n\n<li><strong>Use the fader knobs<\/strong> in your DAW to adjust the volume level of each mic so everything is balanced and clear.<br><\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"485\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-10a-1.png\" alt=\"\" class=\"wp-image-25878\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-10a-1.png 800w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-10a-1-300x182.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205353\/Image-10a-1-768x466.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n<ul class=\"wp-block-list\" start=\"3\">\n<li><strong>Do a basic mix<\/strong>&nbsp;to improve the sound even more.&nbsp;Most DAWs have plug-ins you can use to add a little EQ, compression or other effects.&nbsp;If you\u2019re not having a professional engineer mix your tracks, adding a few of these elements can really go a long way, and there are a ton of great resources available if you want to explore this topic in more detail.<br><br>(Check out this <a href=\"https:\/\/www.drumeo.com\/beat\/a-guide-to-drum-eq\/\" target=\"_blank\" rel=\"noreferrer noopener\">Guide To Drum EQ<\/a> or this <a href=\"https:\/\/www.audio-issues.com\/music-mixing\/mixing-drums-guide\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Guide To Mixing Drums<\/a>)<br><br><\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"304\" height=\"657\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205355\/Image-10b-1.png\" alt=\"\" class=\"wp-image-25879\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205355\/Image-10b-1.png 304w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205355\/Image-10b-1-139x300.png 139w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><\/figure><\/div>\n\n\n<ul class=\"wp-block-list\" start=\"4\">\n<li><strong><em>Save<\/em><\/strong><em> (yep, one more time).<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\" start=\"5\">\n<li><strong><strong>Bounce it down<\/strong>.&nbsp;<\/strong>This is when you combine all of your individual drum tracks into one file to export to a format you can listen to, send around and upload.&nbsp;Most DAWs have options to export in mp3 format (smallest file size), .AAC (slightly better quality), and .WAV or .AIFF (best quality).&nbsp;Mp3s are great if you want to email your tune or put it on your phone.<br><br>If you plan to add other instruments or upload to Bandcamp or Soundcloud, use a .WAV or .AIFF.&nbsp;These are also usually the best file formats to use when adding video and uploading to social media.&nbsp;Facebook and Instagram tend to compress audio and video when you upload, so starting with a higher-quality file is your best bet.<br><br>If you want to bounce only a part of your song, select that section before you start.&nbsp;You can also bounce drum stems (individual .WAV files for each mic) if a pro engineer will be mixing it and wants everything separated. Make sure to take note of where your bounced files are being saved so you can find them later. Viral drum video on the way!<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"639\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205356\/Image-10c-1-1024x639.png\" alt=\"\" class=\"wp-image-25880\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205356\/Image-10c-1-1024x639.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205356\/Image-10c-1-300x187.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205356\/Image-10c-1-768x479.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205356\/Image-10c-1.png 1114w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"490\" height=\"468\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205358\/Image-10d-1.png\" alt=\"\" class=\"wp-image-25881\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205358\/Image-10d-1.png 490w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205358\/Image-10d-1-300x287.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/figure><\/div>\n\n\n<ul class=\"wp-block-list\" start=\"6\">\n<li><strong>Pick the right type of bounce: <\/strong>Most pro DAWs have a couple of options:\n<ul class=\"wp-block-list\">\n<li><strong>Mono Summed <\/strong>(feeding both the left and right channels of your mix into both speakers)<\/li>\n\n\n\n<li><strong>Multiple Mono <\/strong>(creates 2 separate files for left and right)<\/li>\n\n\n\n<li><strong>Stereo Interleaved <\/strong>(creates one single stereo file)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p>Stereo interleaved is usually the best choice since it puts all your data into one single file, which is easier to work with.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"430\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205359\/Image-10e-1.png\" alt=\"\" class=\"wp-image-25882\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205359\/Image-10e-1.png 428w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205359\/Image-10e-1-300x300.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2020\/10\/16205359\/Image-10e-1-150x150.png 150w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/figure><\/div>\n\n\n<ul class=\"wp-block-list\" start=\"7\">\n<li><strong>Back it all up: <\/strong>Make sure to save your entire session on an external hard drive.<\/li>\n<\/ul>\n\n\n\n<p>And that\u2019s it! I hope this intro to home drum recording helps you get started.<\/p>\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n<p><em>*This article contains affiliate links, which means we might earn a small commission from the product seller if you make a purchase. For more info, check out our <\/em><a href=\"https:\/\/www.drumeo.com\/privacy\/\"><em>privacy page.<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Want to learn to record drums at home but don&#8217;t know where to start? Click here for the basics.<\/p>\n","protected":false},"author":119,"featured_media":25992,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4020],"tags":[3725],"class_list":["post-25710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-affiliate"],"_links":{"self":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/25710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/comments?post=25710"}],"version-history":[{"count":107,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/25710\/revisions"}],"predecessor-version":[{"id":52213,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/25710\/revisions\/52213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media\/25992"}],"wp:attachment":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media?parent=25710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/categories?post=25710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/tags?post=25710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}